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ƒeƒBƒAƒS�EƒAƒ“ƒgƒjƒI (Thiago Antonio)

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ECHANGEUR 22

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www.echangeur22.com
Exhibition Period
2018 11.21wed - 12.2 sun
Opening Times
15:00-20:00
Friday, Saturday and Sunday
(Closed on Mon-Thu except opening reception)
Opening Reception: 11.21 (Wed) 19:00-21:00
Closing Day: 12.2 (Sun) 15:00-18:00
Artists
Guillaume Barborini
Flavie L.T
Anne Leigniel
Won Jy
Alexandre Kato
Takashi Nakajima
Shotaro Yoshino
Special Screening
Thiago Antonio
"titre"
(2017, 22min)
11.21wed, during reception (detailed screening schedule will be displayed on-site)
Performance
Anne Leigniel
11.21wed 19:30-20:00
Venue
Sumiyoshicho Arai bldg.
(231-0013 Kanagawa-ken, Yokohama-shi, Naka-ku, Sumiyoshicho, 3 Chome 28) [MAP]
On Your Visit
Please be noted
- We ask you to change your shoes to sandals when entering the rooftop area, unless you wear softsole shoes like sneakers.
- Do not enter inside barricaded areas, including a rooftop corner with machines and cables with which you can harm yourself.
- You will be liable for damages and accidents you cause to yourself, others and the building. Please read and follow on-site safety instructions for all visitors.
Contact
echangeur22@outlook.com
Curated by Viviana Birolli and Masamichi Tamura
Co-curated by Naoya Ikeda [Ike Atelier, architect]
Organized by ECHANGEUR 22
Sponsored by Seitaro Arai & Co., Ltd.
Under the auspices of Ambassade de France / Institut Françis du Japon
The exhibition parallèles obliques [Crossed Parallel] gathers together seven contemporary artists linked by their common
participation to the artistic residency Echangeur 22: Guillaume Barborini, Alexandre Kato and Flavie L.T,�@Anne Leigniel, French, Won Jy,
Korean living and studying in France, Takashi Nakajima and Shotaro Yoshino, Japanese.
Since 2015, Echangeur 22 weaves a network of international exchanges between France, Brazil, Japan and Korea through a series of
initiatives involving artists, curators, researchers, public and private institutions.
Amongst these actions aiming to promote a broader circulation between different artistic and cultural approaches, Echangeur 22 summer
residency program selects every year a panel of French, Brazilian and Japanese artists called to share for 6 weeks a common space of
life and creation in Saint-Laurent des Arbres, in the South of France.
Echangeur 22 Mobility Program extends the creative momentum of the annual residency in France by a series of exhibitions and displays
organised in France, in Brazil and in Japan.
Through the international mobilisation of artists and artworks, E22 Mobility program fosters a larger reflection on the mobile nature of
contemporary art practices, involving artists as well as curators and institutions and nurturing new protocols of art production
(dematerialization, delegation, statements), communication and exhibition.
parallèles obliques translates the core principles of Echangeur 22 action
through an impossible geometric and geographic figure: the crossed parallels of the title being a strong
metaphor of the rich and at the same time always imprecise, whether impossible meeting and hybridization
between different languages, traditions and cultures.
For this exhibition, French artists Guillaume Barborini and Won Jy will be facing a new social and artistic
panorama while working for an entire month in Tokyo, as well as Japanese artists Takashi Nakajima and
Shotaro Yoshino did during their monthly residency in France, respectively in 2015 and 2017. On their side,
Flavie L.T will display a work conceived in France but personally installed in Japan, while Alexandre
Kato will be shipping his work from France, to integrate a space projected and fantasized only through
pictures and conversations.
Thus, the notions of displacement, shifting, mobility and translation are naturally at the centre of the
exhibition, together with the idea of ideal projection of a work in an unknown space, of an idea in a new
artistic and cultural ground.
The network of links that the artists have been creating during the conception in-situ of the exhibition
shapes the idea of inhabiting a space as an echo chambers, where the margin of error is as rich and useful
as any performed gesture: the gap, the ma as a fertile space, the margin of error of an open feedback
as condition of exchange, movement and creation.
Marking the first major exhibition of ECHANGEUR22 in Japan, parallèles obliques is held at
Sumiyoshicho Arai building in Yokohama, an old concrete office building, built in 1961 as part of Japan's post-war urban redevelopment
initiative to subsidize anti-fire thick concrete structures in densely populated metropolitan areas. Along with Yokohama city's effort
to preserve and reactivate this unique architectural legacy, Sumiyoshicho Arai building was designated as a site of the city's
"Art Estate" projects in 2016, and with three architects' offices and an artist studio, the building has since hosted art events
to promote creative and communal activities in neighbourhood.
Guillaume Barborini

French
Lives and works in Metz, France
Resident at E22 in 2017
Guillaume Barborini works with simple actions, gestures and their repetition (walking for a day following his shadow, picking up the soil under his shoes, building pieces of wall, recopying books...). Through these actions, he tries to develop a singular way of interacting with the world: a personal approach that is not a kind of consumption (or exploitation) of the world, but rather an attempt to collaborate with it, by trying to be attentive to the territory and its development, to its history, to the people living there, to oneself.
Won Jy

South Korean
International Exchange Coordinator Sojae Creating Community
Student at the Ecole Superieure des Beaux-Arts in Nimes.
Resident at E22 in 2018
Korean artist Won Jy centers his research around the status of the objects and the relationship between the artist and the public. Through his installations, videos and performances he questions both the ethics of the artist and his action.
Alexandre Kato

Franco -Japanese
Lives and works in Strasbourg, France
Invited resident at E22 in 2018
Fascinated by Shintoism - the Japanese animism that places the spirits in natural elements like stones, trees or the moon - Alexandre Kato wonders if there are now spirits in the screens through which we observe the world, in plastic plants or in an electric lamp.
The artist's Japanese origins are decisive in his work: haven't ever lived in Japan, Alexandre Kato tries to tie a relationship with a part of itself that he understands only a little.
Flavie L.T

French
Lives and works in Paris, France
Founding member of the artist run-space Le Houloc (Aubervilliers, France)
Resident at E22 in 2017
Flavie L.T's work questions structures and forms through photography, sculpture and installation. She combines a large range of construction materials (concrete, wood, marble, iron, paper) to create sculptures of different scales that convey a specific experience of the space.
Takashi Nakajima

Japanese
Lives and works in Tokyo, Japan
Invited resident at E22 in 2015
Nakajima creates site-specific and ephemeral installations that offer people a shared spatial experience and thereby help them relate one another while respecting each individuality and different standpoint. Often with transparent or translucent material in spacious arrangement, his work intervenes a site through the reflection, diffusion and shading of light, re-connecting a location and its surrounding anew. Subtle in self-expression and open to others, Nakajima's semi-architectural approach explores a unique realm where his personal imagination is expressed in a spatial and inter-subjective form.
Shotaro Yoshino

Japanese
Lives and works in Tokyo, Japan
Invited resident at E22 in 2017
Yoshino's work reveals unseen memories of a place by literally pulling them up from the ground, carefully exposing memories of the earth. This body of art works "Memory of the ground" includes society's memory of the earth, provoking viewers to contemplate the effect of humans on nature. Yoshino's work contemplates the relationship of people and places, bringing this connection into everyday consciousness.